A Festival for Everyone

The route to a diverse, accessible, cooperative and sustainable Zürcher Theater Spektakel

It was one of the initial aims when founding the festival on the Landiwiese to make art accessible to everyone, as opposed to the city’s elitist cultural institutions. A lot has happened since. The Theater Spektakel as well as Switzerland have changed significantly, as have the demographics of the City of Zurich. Being an accessible, international festival for Zurich in step with the times – regarding artistic contents as well as the prevailing social and political realities – requires continuous development. We would like to thank all the experts who have critically accompanied and supported us in this process.

Affiliation – creating a space for everyone

We see the Zürcher Theater Spektakel as a social space, which we, as hosts, want to shape in cooperative, inclusive, sustainable and ways.

Our goal is to reflect our social diversity at all levels of the festival – programme, staff, audience – and to create additional opportunities for participation, reflection and exchange. Artists, visitors and staff members should feel welcome at the festival, regardless of gender, nationality, ethnic and social origin, religion, disability, age or sexual orientation or identity. It has been our endeavour for years to make the festival an inclusive and discrimination- sensitive place. As a next logical step on this path, we have implemented an awareness concept this year. We consider ourselves lucky because the audience of the Zürcher Theater Spektakel has always been very open-minded towards different artistic signatures and new formats. We will continue to cherish this relationship and add to Zurich’s diversity with our programme.

Accessibility – breaking down barriers

In order to be a «festival for everyone» it is important to break down barriers and obstacles of all kinds step by step.

We wish to create an offer for people who have less financial resources, a different cultural or social background or different capacities than the «classic» festival goer. For people with disabilities, the Theater Spektakel offers a variety of access aids. Additionally, we have continuously expanded our offer of workshops, our discourse programme and mediation events in the past years. Through concessions as well as free suspended tickets, we want to make sure that no one is excluded from visiting the festival due to their financial situation. It is our goal to be a workplace for an increasing number of people from diverse backgrounds and with different abilities.

Partnerships – creating networks for artists

The creation of the Zürcher Theater Spektakel as an international meeting of the independent dance and theatre scene continues to characterise the festival’s image and its cultural and political mission within the City of Zurich.

The Theater Spektakel has always been a platform for young and emerging artists, especially from the global south. Within the international landscape of festivals, we assume our role as a supporting partner of artists and their work – as co-producers, through meeting platforms for young artists or through the annually awarded ZKB Patronage and Acknowledgement Prize. In the course of the corona pandemic, the possible consequences for the arts were given particular attention. Our programme intends to address different perspectives and the relationship between artists and audience. Furthermore, the festival aims to contribute to the development of the performing arts by pursuing projects at the interfaces of other art forms and social disciplines.

Sustainability – reducing our ecological footprint

We not only wish for a lasting effect of our artistic programme but also for our festival operations to be as environmentally compatible and sustainable as possible.

Since 2008, we have continually sought to improve the eco-balance of the festival in the areas of energy, waste, mobility and infrastructure with various measures. Knowing that the biggest leverages might be where one suspects them only at the second or third glance, we want to submit ourselves to a critical reassessment in the near future.

The festival direction, June 2023